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The Storytellers Behind “Got Milk?”
Cracking the code behind the most iconic advertising campaigns ever
Hi, Creative Master readers!
You know you’ve made cultural history when two words, “Got Milk?”, become a global phenomenon.
But that’s just one campaign in the wildly creative, always story-first legacy of Jeff Goodby & Rich Silverstein, co-founders of Goodby Silverstein & Partners.
They sold stories told with wit, weirdness, creative tension, and behavioral psychology for brands such as Chevrolet and Doritos.
Today, we’re breaking down what made their creative process and what you can learn from it for your own work.

📣 Who Are They?
Jeff Goodby and Rich Silverstein met in the 1980s and started their agency in San Francisco with one principle: Start with emotion. Deliver with simplicity. Land with the story.

Their campaigns got stuck in your head because they told human stories. Often funny. Sometimes weird. Always smart.
They arrive at ideas through anecdotes. Stories of missed cereal, broken pencils, and childhood obsessions. Long before charts or TAM calculations appear. In behavioural terms, narrative beats data because it’s easier to rehearse. If you need a quadrant to explain it, kill it.
🧠 Mindset Matters: Don’t Sell - Tell
Jeff and Rich believe that the best advertising is storytelling with a purpose. Their secret sauce isn’t flashy visuals or data overload, it’s narrative craftsmanship.
“We’ve always believed people don’t remember facts. They remember stories.” —Rich Silverstein
This mindset shifted the entire ad industry from slogans to storytelling.
They made room for tone. Character. Context.
And they showed that humor + honesty = emotional resonance.
🚀 Creative Habit: Simplicity First
Their most famous campaign?
A man with no milk to wash down a peanut butter sandwich.
That’s it. That’s the ad.
“Got Milk?” was born not from overthinking, but from focusing on the moment of need. It wasn’t about cows. Or calcium. Or health stats.
It was about a craving and not being able to satisfy it.
Their process often started with:
A universal feeling
A simple setup
A twist, a chuckle, or a sting
Then they’d build a world around that.
✏️ Prototype at the Speed of Pencil
The creative habit behind the campaign?
Keep it low-tech, fast, and ugly—on purpose.
Jeff sketches with a pen. Rich pins half-baked layouts to walls. Their carpet is a graveyard of Post-its and bad ideas. Why?
Because when you create cheap, you’re emotionally free to kill ideas quickly.
🤝 Copywriter Meets Art Director, Sparks Fly
Their partnership isn’t peaceful. It’s productive tension.
Jeff starts sentences he doesn’t intend to finish.
Rich edits with the precision of a Parisian maître d’.
They disagree. Regularly. Publicly.
But friction, in their world, isn’t dysfunction—it’s creative fuel.
(If your brainstorm feels like a polite HR meeting, you’re doing it wrong.)
🎨 Culture: Hire Weird, Protect Weird
Inside GS&P, the rule is simple:
“Let people be dangerous at least once a day.”
Junior teams throw out reckless headlines before 9am.
Seniors are trained not to snuff the spark.
It’s chaos by design that keeps ideas alive longer than a focus group ever could.
🧘 The Decompression Ritual
Creativity isn’t 9–5.
Jeff cycles the Marin Headlands to untangle briefs.
Rich restores vintage motorcycles.
Because sometimes the best solution arrives when you’re nowhere near the problem.
(PS: we wrote a post How to Hack Your Circadian Rhythm for Peak Creativity if you want some tips on tapping into your best time for creativity)
🛠️ Tools of Their Trade: What We Can Learn
Creative Tension: They loved exploring contrast—expectation vs. reality, need vs. absence.
Empathy-Fueled Strategy: They didn't just ask what to say, but why people care.
Visual Wit: Their work often used clever visuals and minimal dialogue to drive home a point.
Collaborative Chaos: Their agency fostered cross-discipline collaboration, not silos. They invited conflict, debate, and iteration.
“We fight a lot. That’s part of the process. Creativity needs friction.” - Jeff Goodby
📚 Book Spotlight: I Want My MTV by Craig Marks & Rob Tannenbaum

While not specifically about Goodby & Silverstein, this book captures the cultural shift in storytelling and branding during the 80s and 90s. A time when their work reshaped how ads spoke to audiences.
Takeaway: Great storytelling doesn’t follow rules.
Also, be on the lookout for next week’s newsletter on George Louis. (He came up with the I want my MTV slogan.)
📝 Weekly Challenge: Reframe Your Idea Through Deprivation
This week, take something you’re working on - a brand, product, or campaign and flip the brief:
❌ Don’t explain what it does.
✅ Show what happens when it’s gone.
Ask:
What’s the pain when it disappears?
What gets interrupted?
Who suffers (and how hilariously)?
Then tell that story.
Deprivation hits differently.
Think:
“Would I care about this if I didn’t work here?”
“Is this something people would tell their friends about?”
That’s a Wrap for This Week!
Goodby & Silverstein proved that a simple, honest story can shape culture.
So the next time you feel stuck in a creative loop, channel your inner Jeff & Rich and ask:
“What’s the story here?”
Then tell it so well it becomes unforgettable.
Know a brand lead stuck in a sea of PowerPoint?
Forward them this issue.